Do Consumer Labs Cheapen Professional Photography?
#1: They work well in the dark…
Summary: "Do Consumer Labs Cheapen Professional Photography?"
Does having your professional prints for your clients made at cheap consumer print labs cheapen the business of professional photography? What if your clients saw you having your prints made at Sam's or Walmart? How would you feel about that?
Last week, I came across a version of this question posed by a real professional photographer in an online discussion group, and it’s been bugging me ever since. Finally, I thought I would try to exorcise this demon from my mind by writing down my thoughts about it.
The original question was along the lines of:
I get my clients’ prints made at Sam’s or Walmart, but I don’t want them to know because it might take the pro out of what I do… what if they see me in line waiting to pick up their prints?
I can barely begin to say how upsetting I found this! It wasn’t so much that a professional photographer was using a consumer budget print shop to have their client’s prints made that upset me (although I feel that’s bad enough just on its own), it’s more that they had to ask the question, as if they felt there might be some justification for it out there from other professionals.
Perhaps they were expecting others to say, “oh sure, we use consumer labs all the time, and our clients can’t tell the difference. It saves us a bunch of money. Keep up the great work.”
We Can Be Professionals And Consumers, But Not At The Same Time
I know that some consumer print shops do use good equipment and that the quality can be pretty good a lot of the time, and it’s perfectly okay for us to have our personal or vacation photos printed there; I have no problem with that whatsoever, because in those instances we are ourselves fulfilling the role of consumers. However, my own experience is that the quality overall is highly variable, even from one store branch to another, or across different days in the same store.
In any case, I personally feel there’s something fundamentally wrong about using a non-pro lab to produce work that will carry my name and reputation along with it for years to come. I also find it very hard to imagine how I would feel standing in line at Sam’s or Costco’s to pick up a client’s print order, and turning around to find that very same client standing behind me waiting on their vacation photos. How would the client feel? How would I feel? Not good, I can assure you.
Put The Professional Back In Photography!
At the end of the day, this whole idea upsets me tremendously because there are just so many things wrong with it. I think the type of “professional” who would even consider it is doing a great disservice to our wonderful industry. Don’t they understand that it’s what’s printed on the paper that matters most, the emotions and relationships they capture, and the professional way those images are captured? Are they not concerned about the attention to the quality of craftsmanship at every stage of the process, and the love they should have for their work? So many of these things are intangible and abstract concepts that too many self-professed professionals are missing in their philosophy.
The worst part of all is that a move to use consumer labs is probably fuelled more by a desire to save operating costs than anything else, an indicator that the photographer’s prices are too low in the first place – another symptom of the decline in professionalism we’re seeing in the industry.
I’m sure there are some strong ideas and feelings on both sides of the fence on this one, so please feel free to leave comments and any personal experiences you might have regarding this issue.
If you enjoyed reading this, please take a moment to share it with your friends etc.
Connect With The Photography Coach On Google+
Connect with the author, Nigel Merrick, on Google+
View our official Google+ page at: Photography Business and Marketing Google+ Page
well… I have actually done a round of testing getting prints done by both professional labs as well as “consumer” print shops. Everything from my end was colour controlled right until I handed over a disc / uploaded discs.
My experience was that by applying a little bit of work on my end by creating a colour profile for the “consumer” print shop the results were pretty much on par and in some cases far better than what I got back from the Pro Lab.
So yes I am a professional… and yes I know the ins and outs of colour management. Something quite a number of pro labs don’t seem to.
Thanks, Steve, for your comment, I appreciate you taking the time to read and participate in the discussion.
By the way, are you by chance from the UK? I noticed you used the British spelling of the word “colour”, which leads me to wonder if the high-street print shops in the UK are better than the ones we have here in the US. It’s been a while since I left England, so I’m not up to date on the state of the art over there.
Your reply gave me some food for thought and I was going to post the reply here, but it’s starting to get a little long. Instead, I’m going to post a follow-up blog entry tomorrow.
In the meantime, thanks again, and it’s nice to know that there are readers out there and that it produces some discussion.